• Oxo Bargehouse 2019
  • Home
  • SSC 2018
    • Victoria Menard
    • Bunmi Agusto
    • Armaan Bansal
    • Clare Cooke
    • Anesu Rukezo
    • Mariia Shapovalova
    • Katharina Vrolijk
    • James Headington
    • Alessandra Scevola
    • Sofya Sudets
    • Jessica Beare
    • Charlotte Bonner-Davies
    • Sophie Bruxner-Randall
    • Mhairi Fenton
    • Dominyka Norkute
    • Oliver Tushingham
    • Victoria Robson
    • Rohan Tolat
    • Seva Lobov
    • Georgia Dochoda
    • Isabel Law
    • Nick Gerritsen
    • Rory Alexander
    • Emma Kemp
    • Florence Williams
    • Anna Woodward
    • Millie Hunt
    • Lottie Doherty
    • Max Paillard
    • Joachim Fjeldsoe
    • Max White
    • Freya Sackville-West
    • Rebecca Mocatta
    • Isabella Norris
    • Rosie Alderton
    • Sophie Wood
    • EJ Kok
    • IB 2013
    • IB 2014
    • Charlotte Bonner-Davies
    • GCSE 2014
    • SSC 2015
    • SSC 2016
    • Painting Archive
    • Printmaking Archive
    • Artist in Residence Archive
  • Sculpture on Campus
  • About
Menu

Visual Art at Sevenoaks School

  • Oxo Bargehouse 2019
  • Home
  • SSC 2018
  • IB Archive
    • Victoria Menard
    • Bunmi Agusto
    • Armaan Bansal
    • Clare Cooke
    • Anesu Rukezo
    • Mariia Shapovalova
    • Katharina Vrolijk
    • James Headington
    • Alessandra Scevola
    • Sofya Sudets
    • Jessica Beare
    • Charlotte Bonner-Davies
    • Sophie Bruxner-Randall
    • Mhairi Fenton
    • Dominyka Norkute
    • Oliver Tushingham
    • Victoria Robson
    • Rohan Tolat
    • Seva Lobov
    • Georgia Dochoda
    • Isabel Law
    • Nick Gerritsen
    • Rory Alexander
    • Emma Kemp
    • Florence Williams
    • Anna Woodward
    • Millie Hunt
    • Lottie Doherty
    • Max Paillard
    • Joachim Fjeldsoe
    • Max White
    • Freya Sackville-West
    • Rebecca Mocatta
    • Isabella Norris
    • Rosie Alderton
    • Sophie Wood
    • EJ Kok
  • Archive
    • IB 2013
    • IB 2014
    • Charlotte Bonner-Davies
    • GCSE 2014
    • SSC 2015
    • SSC 2016
    • Painting Archive
    • Printmaking Archive
    • Artist in Residence Archive
  • Sculpture on Campus
  • About

Florian Barratt

The head is the most recognisable of all human features. In this sculpture I have taken the proportions and mass of the head and transcribed it through a computer program to a series of tessellations. This simplifies the form while at the same time renders the now abstracted head in the language of a program. It is the human seen from the machine.

IMG_0088.jpg
High res-_DSC7654.jpg
High res-_DSC7655.jpg
High res-_DSC7828.jpg

Sean Lee

3.489294642 m3

The sculpture is an exploration of individuality amid an environment of conformity. Grids, predetermined, imposes order and discipline. This is matched with its rigid arrangement: grids overlapping grids of equal spacings, cubes within cubes growing in regular intervals. However, the rhythmic nature is disrupted by the overwhelming mismatch of the lines joining, imposing chaos and confusion but also freedom: some points appear organised and architectural; others, lawless and disorientating. At times, enhanced by the distance and space between the grids, these mismatches become kinetic. With such a chaotic influx of information, parts appear to be vibrating or even disappearing. Humans have an innate desire to make sense out of chaos, causing our brain to automatically fill in or distort visual information so it appears to make sense. This compels us to question the validity of our perception through sight, whilst presenting an inquiry of the tension between order and chaos.

IMG_8766.JPG
IMG_0075.jpg
IMG_8772.JPG

Tulio Pinto

Land Line #7

Over the last years I have developed research on sculpture and installation with industrial materials, which denote in the constitution and in the way they are presented, my intention to promote encounters of different potentials and temperaments; of oppositions that are based on the limits of their possibilities.


The dialogue promoted through the encounter of the two cubes of Land Line #7 is a metaphor for the existence conditions of being, where a conjugation of forces gives the opportunity to a third thing to happen. I try to create, through my propositions, in the dialogues that I establish through the laws of the world, a place of experience and reflection.

High res-_DSC0865.jpg
High res-_DSC0866.jpg
prev / next
Back to Sculpture on Campus
4
Florian Barratt
3
Sean Lee
2
Tulio Pinto

Powered by Squarespace.